Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.  Related Paintings of Peter Paul Rubens :. | Nikelasi wearing the Chinese raiment | Gewitterlandschaft mit Philemon und Baucis | The moral of the outbreak of war | cimone och efigenia | Adoration of the Magi |
Related Artists:
Maris, Jacob
Dutch, 1837-1899 was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. Maris studied at the Antwerp Academy, and subsequently in Hubertus van Hove's studio during a stay in Paris from 1865 till 1871. He returned to Holland when the Franco-Prussian War broke out, and died there in August 1899. Though he painted, especially in early life, domestic scenes and interiors invested with deeply sympathetic feeling, it is as a landscape painter that Maris excelled. He was the painter of bridges and windmills, of old quays, massive towers, and level banks; even more was he the painter of water, and misty skies, and chasing clouds. In all his works, whether in water or oil color, and in his etchings, the subject is always subordinate to the effect. His art is suggestive rather than decorative, and his force does not seem to depend on any preconceived method, such as a synthetical treatment of form or gradations of tone. And yet, though his means appear so simple, the artist's mind seems to communicate with the spectator's by directness of pictorial instinct, and we have only to observe the admirable balance of composition and truthful perspective to understand the sure knowledge of his business that underlies such purely impressionist handling. Maris has shown all that is gravest or brightest in the landscape of Holland, all that is heaviest or clearest in its atmosphere for instance, in the " Grey Tower, Old Amsterdam," in the " Landscape near Dordrecht," in the " Sea-weed Carts, Scheven-ingen," in " A Village Scene," and in the numerous other pictures which have been exhibited in the Royal Academy, London, in Edinburgh (1885), Paris, Brussels
Alfred Jensen
painted Dalmannkai Hamburg. in Date probably 1897
Antoni Piotrowski
(Bulgarian: Antoni Pyotrovski; 1853-1924) was a Polish Romanticist and Realist painter. Piotrowski was born in Nietulisko Duże in 1853 near Kunew, then in the Russian Empire (today in Poland), to a sheet iron worker. From 1869 on, Piotrowski studied painting with professor Wojciech Gerson. From 1875 to 1877 he was tutored in Munich by Wilhelm Lindenschmit the Younger and from 1877 to 1879 his teacher was Jan Matejko of the Academy of Fine Arts in Krakew. In 1879, Piotrowski arrived to the newly-liberated Principality of Bulgaria as a correspondent of the British issues The Graphic and The Illustrated London News and the French Illustration and Le Monde Illustre. He moved to Paris only to return to Bulgaria in 1885 to join the Serbo-Bulgarian War as a Bulgarian volunteer. For his merits during the fighting he was honoured with an Order of Bravery. During his time in the Bulgarian Army Piotrowski painted the Battle of Slivnitsa, the storming of Tsaribrod and the Bulgarian entry in Pirot. All his nine military works were purchased by the Bulgarian state and are exhibited in the National Museum of Military History in Sofia. He also published graphics from the war in various Western European illustrated issues. Among his works were also portraits of Bulgarian princes (knyaze) Alexander of Battenberg and Ferdinand of Saxe-Coburg-Gotha; Piotrowski was awarded an Order of Civil Merit by the latter. Piotrowski returned to Bulgaria in 1889: he visited Batak and painted his epic canvas The Batak Massacre. This painting of his won an award at the Plovdiv Fair in 1892. In 1900 Piotrowski returned to Poland and settled in Warsaw.